Dare I say that Lex Sinclair has decided to explore a different style-tone with his latest book, One-Eyed Monster? Because after having the pleasure of reading several titles by Sinclair, there is a distinct difference in the way he approached this plot. More specifically, he is substituting his extensive vocabulary for a more casual read. Or, at least, this is the first impression I got after slowly sinking deeper into the story – and it is an impression that never faded.
One-Eyed Monster is a story inside a story, in a manner of speaking. It starts with an author named Stephen Turner, and his sudden desire to write something out of character. Instead of going with the type of thriller novels he usually enjoys writing, he decides to get down a story he has been brooding over for a while, which is appropriately entitled, One-Eyed Monster.
His story focuses on a character with the name of Fern Gilles, a beautiful young woman with all the elements a man can hope for. And while she does not completely loathe her job working in a mail sorting office, she does not see any type of future being there. But her worries about a better life are put to an end after losing one of her eyes, a trademark of her beauty. Then she goes on to become a bitter person who eventually takes her own life.
Little does Turner know his book about this one-eyed girl will become a best-seller, or that his character is not as fictional as he thought she was.
After you read the 3rd or 4th novel by Sinclair, it becomes obvious that you are dealing with a well-rounded writer. The plot is always organized and presented in the most enthralling way, the characters are colorful and authentic, and you never have to wonder what the scene possibly looks like from the character’s point of view.
These are all elements that are relevant to Sinclair’s most recent horror novel, although there is a distinct difference when compared to his earlier works. This time, he picked up the pace a little. In fact, it feels like the story is more character-driven as opposed to the well-rounded approach Sinclair typically prefers. And do not get me wrong, this is not a bad thing. In all honesty, I was waiting for Sinclair to try something different, and he came through with One-Eyed Monster.
Of course, the vividly described settings have not disappeared. Instead, Sinclair is just a little more particular about where he uses his talent to bring a scene to life, which leads to a quicker pace and a little more “edgy rawness”. The plot has familiar sentiments, but Sinclair never fails to leave you with a twist ending you simply do not see coming.
Where I would usually recommend Sinclair’s books to those who love to get enthralled in a quality horror story, I will still make that recommendation. Only now, I can also recommend it to readers who like getting to the heart of the story.
Once again, Sinclair delivers a terrific horror read that does not just get your imagination working overtime but really motivates you to want to keep the lights on for the next few nights.
Reviewed by Damnetha Jules
Damnetha is a staff writer, horror book and movie critic.
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