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You are here: Home / Archives for movie review

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From Within Review

July 19, 2012 By Horror Palace Leave a Comment

From Within cover posterMovie: From Within
Year: 2008
Studio: Burgundy Films
Director: Phedon Papamichael
Stars: Elizabeth Rice, Thomas Dekker, Kelly Blatz
Language: English
Length: 89 Minutes
Sub-Genres: Witchcraft / Supernatural

Plot: A perpetual string of gruesome suicides plagues a small town. And the reason for this plague may be well-deserved.

Review: The movie that comes to mind when I hear this premise is M. Night Shyamalan’s “The Happening,” which was also released in 2008 and was built around an inexplicable phenomenon of mass suicides. Thankfully, “From Within” is far better than “The Happening,” but I guess that’s not saying much. The eventual explanation for this film’s suicides is much better than Shyamalan’s, to be sure.

Director Phedon Papamichael’s film, “From Within” (2008), has a number of promising ideas for a horror flick: For example, imagine facing off against an evil specter of certain death when the grim reaper I’m referring to is actually one’s own self! That’s right — in “From Within,” the fatal omen is seeing a disturbing version of yourself, coming to kill you in a violent manner that will look like suicide to everyone else, but will feel like cold-blooded murder to you.

Now, if you think about this for a minute, you’ll realize that Papamichael has a clever, circular idea at play here in his film. When a person commits suicide, he takes his own life. But in this movie, there is, for lack of a better description, an evil version of the victims’ selves, killing themselves. So, on one hand, they seem to be murdered by an external force, or another being, but since they appear to be murdered by themselves, isn’t that technically still suicide? Neat, right? Not to mention, being killed by yourself seems like the ultimate betrayal, a concept that’s horrifying in itself.

Another interesting spin that screenwriter Brad Keene gives us is the role reversal of the evil religious zealots versus the sympathetic family of witches. I am reminded of Isaiah’s biblical prophecy which speaks of them that “call evil good, and good evil; that put darkness for light, and light for darkness.” But we see in “From Within” that evil is everywhere, and therefore, inescapable. Keene does more than play with our assessments of good and evil. In many ways, “From Within” is a cautionary tale for intolerance. The subtext seems to be that intolerance of others turns into self-loathing, which in turn, eventually results in self-destruction.

The director, Phedon Papamichael, is actually a long-time cinematographer-turned-director, so he’s no rookie to the film industry. In fact, he was the director of photography on a giant list of mainstream (and some award-winning) well-known film titles, such as “The Descendants,” “Knight and Day,” “3:10 to Yuma,” “Walk the Line,” “Sideways,” “Identity,” and “Cool Runnings,” just to name a few. He also directed “Dark Side of Genius” in 1994. In short, the captain at the helm of this film is a good one, but for some reason that I’m having trouble identifying, “From Within” doesn’t amount to a noteworthy horror film.

Perhaps it’s forgettable. For example, just to give you an idea of how mild the witchcraft theme is in this movie, as I wrote this review, I was planning an upcoming Horror Metropolis episode with a witchcraft theme, in conjunction with Rob Zombie’s forthcoming “The Lords of Salem” (2012). And even though I have been writing the review for “From Within” for the past few hours, it never even came to mind when I was thinking about possible picks for witchcraft movies… So, what does that tell you?

Sure, there are a couple of good kills, such as a big pair of scissors jabbed into a girl’s neck. We’re shown the aftermath, but not the attack. I like the scenery in this film, as well; it was shot in Maryland. How many films are shot in Maryland? The sound design is decent, too, because the victims’ alter egos make this creepy growling noise. But without a doubt, the scariest part of this film is a painting of one character’s great grandmother in the nude (regrettably painted in her later years). Yikes. I bet there’s a story behind that painting (and I’d love to hear it), but there’s no trivia provided on IMDb. If you know anything about that freaky painting, please post a comment below.

“From Within” is just barely below par to qualify for a rental in my book, and ultimately I’d say avoid it … unless, of course, somebody is trying to make you watch “The Happening.” In that case, “From Within” is the lesser of two evils.

DVD Contest: Here is the long-awaited, 2-DVD, 8 horror movie give-away contest word: “Meatloaf.” Helpful hint: The other word you’ll need to win is spoken during Episode 004 of the Horror Metropolis podcast. After you collect these two words, be the first to e-mail HorrorMetropolis@gmail.com and you’ll win! Good luck.

To hear horror movie reviews from Jay of the Dead and his cohorts, listen to Horror Metropolis.

Reviewer: Jay of the Dead
Date: 07/19/2012
Rating: 4.5/10
Recommendation: Avoid
Trailer: Watch
DVD: Amazon
BluRay: N/A
Social Media: N/A

Filed Under: Horror Movie Reviews, Zombie Tagged With: 2008, after dark films, after dark horrorfest, brad keene, burgundy films, elizabeth rice, from within, horror movie review, jay of the dead, kelly blatz, movie review, phedon papamichael, suicide, supernatural, thomas dekker, witchcraft, written review

Chernobyl Diaries Review

May 25, 2012 By Horror Palace Leave a Comment

Chernobyl Diaries cover posterMovie: Chernobyl Diaries
Year: 2012
Studio: Alcon Entertainment
Director: Bradley Parker
Language: English
Length: 90 Minutes
Sub-Genre: Thriller

Plot: Six vacationers embark on an “extreme tourism” adventure to the Ukrainian city of Prypiat, the 25-year ghost town that resulted from the aftermath of the Chernobyl Nuclear Power Plant disaster in April 1986. Though the tourists assume the city is devoid of all forms of life, they find out how dead wrong they are after they become stranded amid the radioactive wilderness and its predators.

Review: “Chernobyl Diaries” broke my heart from sheer disappointment. The trailer looks promising, and its premise appears to be perfect. From watching the previews for this movie, we assume that these attractive 20-somethings visit the Chernobyl disaster site and get attacked by some kind of radioactive, mutated humanoid freaks, right? At least, that’s why I paid theater prices to see the first screening of the film on its opening day.

Wrong. Well, maybe. I’m not sure.

Having seen the film today, I can honestly tell you that I’m not certain if the kids in this movie are attacked by radioactive, mutated humanoid freaks. I’m pretty sure that’s what happens, but not certain. Why? Because the filmmakers opt to never give us a good look at the humanoids or any of their attacks, for that matter. “Chernobyl Diaries” doesn’t show us any kill scenes or gore. The only gore we get is from the aftermath of a kill or a mere injury. Let’s put it this way, if this movie had a little less profanity, it could have been rated PG-13 (possibly even PG), instead of R.

“Chernobyl Diaries” does a few things exactly right, but it does them for way too long. Watching this movie is like getting a good back-scratch and then your back-scratcher never stops scratching until your flesh is ripping off, bloody and clumpy and gathering under her fingernails. I remember reaching a point while watching “Chernobyl Diaries” when I realized that the movie was never going to cash in on anything it had been building up and promising. The phrase “high and dry” comes to mind…

Initially, I thought director Bradley Parker and screenwriter Oren Peli (“Paranormal Activity”) were taking Steven Spielberg’s “Jaws” (1975) approach, where they slowly build tension and anticipation by scaring us with the threat of an imminent monster. But to be clear, watching “Chernobyl Diaries” is like watching “Jaws” if Spielberg had decided never to show us the shark.

The “Master of Suspense” himself, Alfred Hitchcock, once taught that telling the audience that there is a bomb under a table is far more effective than merely having a bomb explode immediately. The anticipation of death builds suspense and excitement. “Chernobyl Diaries” gets this part right, but we want to actually see the explosion eventually, not just its aftermath. At one point during his instruction, Hitchcock jokes by saying, “The bomb must never go off.” But the makers of “Chernobyl Diaries” didn’t realize Al was only kidding.

I have to note that the casting was nearly perfect for this film. Dimitri Diatchenko steals the show as Uri, the extreme tourism travel guide. And I also have to commend Jonathan Sadowski (“Friday the 13th,” 2009) for his performance as Paul, the instigator of this extreme tourism trip. My only casting complaint lies with Jesse McCartney as Chris, who plays Paul’s uptight younger brother. This character is supposed to be a square, but his youthful, Disney Channel face is all wrong for this movie.

“Chernobyl Diaries” was filmed in Serbia and Hungary, and its sets and locations are tremendous. The setting is atmospheric, convincing and truly creepy. I will give credit to Peli for attempting to write his characters in such a way that the deaths of their companions are affecting to them. And I also have to compliment a brief glimpse of a huge, CGI bear that looks passable and some genuine suspense generated by some dogs; otherwise, there’s not much more to praise here.

In summary, horror fans need not bother seeing “Chernobyl Diaries” because it doesn’t have much to see. I am rating it a 4.5 out of 10, which is an “Avoid” altogether. It’s a somewhat suspenseful thriller but not much of a horror film. Instead, we get a lot of shaky-cam to obscure the non-existent action, and when the camera is still enough for us to see what’s happening, the shots are cloaked in darkness, lit only with one or two swirling flashlights. Bottom line: Great premise. Decent set-up. Poor execution. Zero pay-off. Avoid.

To hear horror movie reviews from Jay of the Dead and his cohorts, listen to Horror Metropolis. Contact Jay of the Dead: HorrorMetropolis@gmail.com

[Note: “Chernobyl Diaries” is a new release written review and not one of the eight films included in the two DVD give-away contest sponsored by Horror Metropolis.]

Reviewer: Jay of the Dead
Date: 05/25/2012
Rating: 4.5/10
Recommendation: Avoid
Trailer: Watch
DVD: N/A
BluRay: N/A
Social Media: Facebook

Filed Under: Horror Movie Reviews Tagged With: 1986, 4.5, alfred hitchcock, avoid, bomb under the table, bradley parker, cannibals, chernobyl diaries, chernobyl disaster, chernobyl nuclear power plant, dimitri diatchenko, dog attacks, extreme tourism, horror palace network, humanoid, Jaws, jonathan sadowski, movie review, mutation, oren peli, pripyat, prypiat, radiation, radioactive, Spielberg, tourists, ukraine, written review

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