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after dark films

From Within Review

July 19, 2012 By Horror Palace Leave a Comment

From Within cover posterMovie: From Within
Year: 2008
Studio: Burgundy Films
Director: Phedon Papamichael
Stars: Elizabeth Rice, Thomas Dekker, Kelly Blatz
Language: English
Length: 89 Minutes
Sub-Genres: Witchcraft / Supernatural

Plot: A perpetual string of gruesome suicides plagues a small town. And the reason for this plague may be well-deserved.

Review: The movie that comes to mind when I hear this premise is M. Night Shyamalan’s “The Happening,” which was also released in 2008 and was built around an inexplicable phenomenon of mass suicides. Thankfully, “From Within” is far better than “The Happening,” but I guess that’s not saying much. The eventual explanation for this film’s suicides is much better than Shyamalan’s, to be sure.

Director Phedon Papamichael’s film, “From Within” (2008), has a number of promising ideas for a horror flick: For example, imagine facing off against an evil specter of certain death when the grim reaper I’m referring to is actually one’s own self! That’s right — in “From Within,” the fatal omen is seeing a disturbing version of yourself, coming to kill you in a violent manner that will look like suicide to everyone else, but will feel like cold-blooded murder to you.

Now, if you think about this for a minute, you’ll realize that Papamichael has a clever, circular idea at play here in his film. When a person commits suicide, he takes his own life. But in this movie, there is, for lack of a better description, an evil version of the victims’ selves, killing themselves. So, on one hand, they seem to be murdered by an external force, or another being, but since they appear to be murdered by themselves, isn’t that technically still suicide? Neat, right? Not to mention, being killed by yourself seems like the ultimate betrayal, a concept that’s horrifying in itself.

Another interesting spin that screenwriter Brad Keene gives us is the role reversal of the evil religious zealots versus the sympathetic family of witches. I am reminded of Isaiah’s biblical prophecy which speaks of them that “call evil good, and good evil; that put darkness for light, and light for darkness.” But we see in “From Within” that evil is everywhere, and therefore, inescapable. Keene does more than play with our assessments of good and evil. In many ways, “From Within” is a cautionary tale for intolerance. The subtext seems to be that intolerance of others turns into self-loathing, which in turn, eventually results in self-destruction.

The director, Phedon Papamichael, is actually a long-time cinematographer-turned-director, so he’s no rookie to the film industry. In fact, he was the director of photography on a giant list of mainstream (and some award-winning) well-known film titles, such as “The Descendants,” “Knight and Day,” “3:10 to Yuma,” “Walk the Line,” “Sideways,” “Identity,” and “Cool Runnings,” just to name a few. He also directed “Dark Side of Genius” in 1994. In short, the captain at the helm of this film is a good one, but for some reason that I’m having trouble identifying, “From Within” doesn’t amount to a noteworthy horror film.

Perhaps it’s forgettable. For example, just to give you an idea of how mild the witchcraft theme is in this movie, as I wrote this review, I was planning an upcoming Horror Metropolis episode with a witchcraft theme, in conjunction with Rob Zombie’s forthcoming “The Lords of Salem” (2012). And even though I have been writing the review for “From Within” for the past few hours, it never even came to mind when I was thinking about possible picks for witchcraft movies… So, what does that tell you?

Sure, there are a couple of good kills, such as a big pair of scissors jabbed into a girl’s neck. We’re shown the aftermath, but not the attack. I like the scenery in this film, as well; it was shot in Maryland. How many films are shot in Maryland? The sound design is decent, too, because the victims’ alter egos make this creepy growling noise. But without a doubt, the scariest part of this film is a painting of one character’s great grandmother in the nude (regrettably painted in her later years). Yikes. I bet there’s a story behind that painting (and I’d love to hear it), but there’s no trivia provided on IMDb. If you know anything about that freaky painting, please post a comment below.

“From Within” is just barely below par to qualify for a rental in my book, and ultimately I’d say avoid it … unless, of course, somebody is trying to make you watch “The Happening.” In that case, “From Within” is the lesser of two evils.

DVD Contest: Here is the long-awaited, 2-DVD, 8 horror movie give-away contest word: “Meatloaf.” Helpful hint: The other word you’ll need to win is spoken during Episode 004 of the Horror Metropolis podcast. After you collect these two words, be the first to e-mail HorrorMetropolis@gmail.com and you’ll win! Good luck.

To hear horror movie reviews from Jay of the Dead and his cohorts, listen to Horror Metropolis.

Reviewer: Jay of the Dead
Date: 07/19/2012
Rating: 4.5/10
Recommendation: Avoid
Trailer: Watch
DVD: Amazon
BluRay: N/A
Social Media: N/A

Filed Under: Horror Movie Reviews, Zombie Tagged With: 2008, after dark films, after dark horrorfest, brad keene, burgundy films, elizabeth rice, from within, horror movie review, jay of the dead, kelly blatz, movie review, phedon papamichael, suicide, supernatural, thomas dekker, witchcraft, written review

Slaughter Review

May 29, 2012 By Horror Palace Leave a Comment

Autopsy cover posterMovie: Slaughter
Year: 2009
Studio: After Dark Films
Director: Stewart Hopewell
Language: English
Length: 93 Minutes
Sub-Genre: Serial Killer

Plot: When a North Carolina teenager moves to a pig farm on the outskirts of Atlanta to escape an abusive boyfriend, she begins to realize that her new home is even more dangerous than the one she moved from.

Review: I value a good story arc and character development in any genre, including horror. But “Slaughter” is a rare example of a horror film that actually takes these elements too far. Indeed, much of the film seems more like a drama than a horror film. Yet, as one might hope from any film that spends so much time developing its subplots, “Slaughter” rewards the patient viewer with a wild, 35-minute grand finale. It borders on the absurd, but after the 53-minute drama that precedes it, I think horror fans will find the film’s over-the-top ending sequence refreshing.

To be fair, “Slaughter” opens with a curtain-raiser that definitely gets your attention: We see irritatingly, intermittently blurry close-up shots of a young woman who is bound at the wrists and ankles and being dragged onto a lakeside dock. Then we see her captor anchor a cinder block to her legs and then push it into the lake, pulling the woman in with it. That’s how “Slaughter” opens. Then the chronology backs up and starts at the beginning to show us how the submerged woman got in such a predicament.

It turns out that the woman from the beginning of the movie is our protagonist, a girl named Faith (Amy Shiels). This character earns our pity because she is apparently fleeing an ex-boyfriend whom she fears. At one point we see scars from slashes on her back, and with her anxiety and nightmares involving her ex, Jimmy (Vance Daniels), we get the picture that he is emotionally unstable and a genuine threat to her life. Here again we have another horror movie character who already has suffering in her life and doesn’t deserve the forthcoming horrors. Unfortunately, this Faith character is also somewhat aloof and withdrawn, so she doesn’t have much charisma to make her likable to us. We feel sorry for her on a human level, but that’s about it. This is particularly puzzling since writer-director Stewart Hopewell went to such great lengths to develop this character for us.

Soon Faith meets Lola, played by Lucy Holt, and she is Faith’s opposite in almost every way. Naturally, they become fast friends. But not long after moving onto Lola’s father’s pig farm, Faith begins to suspect that Lola’s father does some unsavory things in his slaughter house that go beyond just killing pigs.

Now, if you’re bored reading this review so far, I agree. I’m bored writing it. As noted above, up to this point, “Slaughter” is a drama which depicts two young women finding comfort from their broken backgrounds through their newfound friendship.

But the reason I’m rating “Slaughter” a 6 out of 10 and calling it a “Rental” is due to the way it unfolds once the story catches us up to what we saw in the beginning, with Faith getting dropped in the lake. This finale begins at about the 55-minute mark, and this movie doesn’t stop delivering onscreen madness until the end. In some ways, “Slaughter” approaches “pushing the envelope” with some of its dealings with children and other unsettling occurrences. And though it doesn’t show everything graphically or explicitly, I still got the point and was squirming on my couch over some of the awful fates that befall Faith.

If you want to try something funny with someone who has a good sense of humor, find a chick-flick or drama lover and don’t show that person the introduction to this movie. Start off with Faith’s move to Atlanta. Then watch your friend’s reaction when things start to unravel with this movie’s grand finale. This film will be especially entertaining for those who have a phobia of dentistry. Good times. But seriously, if you can’t tolerate a slow-burn in order to get a good pay-off, then “Slaughter” isn’t for you. But if story and character development are up your alley, like they are for me, then “Slaughter” is worth the investment of your time.

To hear horror movie reviews from Jay of the Dead and his cohorts, listen to Horror Metropolis.

[Note: This review is 2 of 8 of the Horror Metropolis 2-DVD, 8-horror movie give-away contest.]

Reviewer: Jay of the Dead
Date: 05/29/2012
Rating: 6/10
Recommendation: Rental
Trailer: Watch
DVD: Amazon
BluRay: N/A
Social Media: N/A

Filed Under: Horror Movie Reviews Tagged With: 2009, abuse, after dark films, amy shiels, atlanta, drama, drowning, faithless, horror film, horror palace network, jay of the dead, lake, lucy holt, pig farm, serial killer, slaughter, stewart hopewell, torture, vance daniels, written reviews

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